dj Archives | Cleveland Music Group
AKA The Bearded DJ – Eric Smith joined the CLE Music Group sales office in 2017 and as a part of the talent roster in 2011 as a DJ. He spent two years as an apprentice to Scott Jones before becoming a lead DJ.
Geoff Short of Jerry Bruno Productions is proud to be a new contributing blogger for Mobile Beat Magazine online. Mobile Beat is a leading DJ industry publication and Geoff will be writing various articles relating to the DJ business periodically. Here is a Geoff’s latest Mobile Beat Blog entry:
Like many DJs, I have a varied entertainment background. Being a well-rounded performer can only help a DJ be a more effective entertainer. In addition to being a DJ, I’m a singer and currently the Band Leader of a 10-piece wedding band, but I have also spent a lifetime performing in live musical theatre productions and have directed them as well. So it’s not surprising that I often look at the profession – and, indeed, the art – of DJing through the lens of other performing art forms, especially theatre which naturally has a lot in common with DJing – rehearsal, public speaking, interaction with a live audience and technical elements including live sound reinforcement and of course, creative lighting.
Typical DJ gigs don’t involve curtain calls, but a look at some of the basic ways lighting is used in live theatre productions might get us closer to a standing ovation at the end of the night.
I was just reading a thread on one of the seemingly infinite online DJ forums. This particular discussion caught my attention because it posed a question I’ve thought a lot about lately. Whether or not modern DJs actually need tons of state-of-the-art gear many of us seem obsessed with to be truly great entertainers. I am still fairly new to the mobile DJ scene so it feels like I still have an objective point of view about the DJ profession. I’ve been amazed at how much focus there has been in the mobile DJ community on gear that doesn’t actually make any music – specifically lighting.
I have a theory. We dig toys.
Click to read the whole article: All the (DJ’s) World is a Stage: Why DJs could learn Lighting Lessons from the Theatre
Jerry Bruno Productions‘ Agent, Band Leader and DJ Geoff Short is proud to be a new part of the DJ Video Network, a DJ-focused website dedicated to webcasting videos about the DJ profession. Geoff produces DJ gig log videos and other performing arts documentary videos the DJVN recently included his video channel “Call-Back with Geoffrey Short” on its programming line-up! Check out Geoff’s show at: http://djvideonetwork.com/youtube/call-back-with-geoffrey-short
The beast was among them…dressed as one of them..and it was hungry.
The newlyweds were flushed with excitement. They had painstakingly planned every detail of the reception….the perfect flowers…the perfect band…gourmet dinner…special dances…the……toasts…
It wouldn’t be long now. It had been too long since the thing had fed. The unsuspecting victims were just now enjoying the salad course. Soon the thing would eat too. Only one thing would satisfy its insatiable appetite…time. And lots of it. It was just waiting for its cue…
…”and now ladies and gentlemen…a special toast from the Best Man…”
The timeline was dead.
Fiction? Unfortunately in too many cases, no. I always remember a “toast” being something along the lines of “over the teeth and through the gums, look out tummy, here it comes!”..but too often a well-wishing Best Man or Maid of Honor sees this custom as their 15 minutes of fame – literally…15 minutes.
One question I always like to ask clients is “what is your goal for this reception”? Most people say that they want their guests to have a great time, to stay and dance and make the event one people have great memories of. In short, they want to throw a great party.
So why do so many people seem to forget what makes a great party?
True, a wedding reception is not an ordinary party…but there are some ingredients for successful parties that are universal, no matter what the occasion. One of those ingredients is the ability for the hosts to take the focus off themselves and put it onto their guests. This may seem contradictory to the very reason this event is happening in the first place- to celebrate the new union of the two most important people in the room. But the happy couple is THE reason everyone is there in the first place and the big white, fluffy dress is a big clue as to who the center of attention is. Making 200 guests – who have already dedicated an entire day to celebrating the rookie-weds – continue to sit through long speeches and toasts to further drive the point home can be the very definition of overkill.
And it can kill your timeline.
The bride and groom are most likely not going to be aware of what time it is – or rather, how much time they’re losing – at any given point of the reception. Nor should they. But the band the bar and the bus boys definitely know what time it is. That’s our job as planners and bandleaders and DJ’s – to keep things moving and on schedule. And ready or not at the end of the night, the party is going to come to a close. Hopefully by this point it’s your guest’s feet that are tired from dancing and not their rear ends from sitting all night. You’ve probably paid good money for the band or DJ. You should get the most out of your investment and let them do what they do best..fill the dance floor. I’ve seen more than a few brides with that surprised look as though the dancing just started, and it seems we’re “already” thanking the audience and going into our last dance.
Besides, wedding toasts are kind of like inside jokes – filled with memories that approximately 2% (according to statistics I just made up for this blog post) of the entire crowd were involved in and thus, care about. Making guests endure long winded speeches about things they weren’t involved in is kind of like inviting friends over to sit through a slide show of your last trip to the Grand Canyon.
Don’t forget the show business aspect of throwing a party. Appeal to the larger audience. More elements that everyone can enjoy – like dancing, eating and drinking – can help ensure a fun reception.
None of this is to suggest toasts should be done away with. But if brides and grooms make it clear to their respective Best Men and Maids of Honor from the very beginning of the planning process that their timeline is limited, things can move more swiftly to the true business of partying. A brief toast can still be funny, congratulatory and heartfelt.
And the time-eating beast will have to eat elsewhere.
At the time of this posting, Geoff was the Sales and Promotions Manager at Jerry Bruno Productions (now Cleveland Music Group) and the bandleader for its band, The Avenue.
Such is the nature of our world in the music business that much of the payment for our services rendered happens in a face to face exchange at the end of any given gig. Of course, in most cases the “gig” in question has probably been one in which some pretty heavy drinking by the clients has been involved. This can make for some pretty interesting if not downright challenging situations during that final transaction. And so I write this open letter to our beloved customers:
Dear (insert special event name) Client,
We musicians realize that much like Dickens’ ghost of Marley we carry the chains forged from decades of bad reputations for not showing up or showing up late and then raping and pillaging your entire shindig. We also realize that this negative stereotype makes your parting with your balance check BEFORE the gig about as likely as head table place settings for the rhythm section. But could YOU realize that at midnight after an entire day of revelry and all the Jack and Coke that goes with it, you’re probably not in any frame of mind to deal with important financial transactions like making sure the band actually gets paid for services rendered?
Let me explain. In many cases where musical entertainment is contracted, a NON-REFUNDABLE deposit (don’t even get me started on this oft-ignored policy) is required ahead of time to reserve the act for your event. Most of the time this deposit is 50% of the total due, with the other half due the night of the event. Fine. This first half of the transaction usually occurs on a weekday when everyone is sober. Don’t get me wrong. All of us in the industry are grateful you’ve contracted our services. But here’s hoping that more fathers of the bride and other special event benefactors realize that after a gig, we’re sweaty, tired and just want to get paid, pack up our gear and head to bed. The challenge for many beleaguered band leaders and DJ’s is actually collecting that balance check in a timely fashion once the lights come up at the end of the night. It’s hard enough finding you among the remaining guests, probably interrupting whatever slurry conversation you might be in and holding our hand out like Oliver Twist asking for “more”. Here are a few classic examples that can make it even harder (you know who you are!):
The Scribbler – Once you actually locate him after 20 minutes, this is the completely snockered dad who can barely hold his checkbook and a pen at the same time. Often the bandleader will politely stand before The Scribbler for an extended period of time while he goes through an inordinate amount of checks, screwing each one up worse than the other. The upside down check….the check where he accidentally writes the same profanity he is speaking…the check he fell asleep in the middle of writing. In the end you usually get a crumpled, damp piece of paper made out to: “Je78XXX7s Prkdd#@# F**CK!”
The Socialite – This is the mother of the bride or similar player who gets that classic look of “What? We owe you money?” look in her eyes upon your approach. She then proceeds to tell you to “follow her”, and like a compensation-starved puppy you are on her tail throughout the entire reception. Of course, making a bee line to the source of the money would be too much to ask, so naturally she stops at every group of relatives for another extended conversation-the bandleader at her side like a personal valet. By the third or fourth stop to chat, she has completely forgotten who you are and where she was going in the first place and finally asks you to go get her another drink.
The Concierge – This is the would-be payer who left his checkbook up in the hotel room. This is easily a half-hour wait and you know once he finally gets up there, he forgot to get the keycard to the room from his wife.
The Hot Potato – This tactic is usually committed by a group of relatives who must be a joy to dine out with once the check comes because their paying-avoidance skills are honed to perfection. These are the folks who deflect you like running backs and refer you to another player like the best man who they think was in charge of disbursing checks…of course Best Man looks at you like you have three heads and you get passed off to Cousin Vinnie….Vinnie to Aunt Fannie..Fannie to…well, you get the picture. By the time this merry-go-round stops it’s 3 am and you’re looking at the busboy wondering if the tips in his pocket would be enough to cover the balance.
So…how to avoid this frustration? Take care of all the business transactions before the reception starts. Organize and write your vendor checks ahead of time and pass them out. Get it out of the way. We totally understand that paying before the party starts makes you nervous. But rest assured, we didn’t spend the last three hours to set up a full ten-piece band and complete sound system only to dine and dash. We’re there, we’re staying and you will get the great entertainment you imagined. The artists at companies with reputations like Jerry Bruno Productions are consummate professionals who only want the best for you and for you to continue referring us to your friends and families. We’ve grown up from our wanna-be rock star days of raping and pillaging your gentile events. So pay up…early. You’ll have a happy and content band and you can party ’til you puke! You’ll be safe and we won’t have to incur the wrath of a drunken Aunt Fannie. Check please.
Geoff Short (aka Oliver Twist)
At the time of this posting, Geoff was the Sales and Promotions Manager at Jerry Bruno Productions (now Cleveland Music Group) and the bandleader for its band The Avenue.